Guide A Very Naughty Seduction

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Add To Collection. Please login or register to add a video to collections. Some errors occurred, please try again later. Watch Later. They must live out their ideals without caring about the consequences. The saintly effect bestows charisma. A Charismatic relies on the power of words. A Charismatic is larger than life, has extra presence. Most people are repressed, and have little access to their unconscious— a problem that creates opportunities for the Charismatic, who can become a kind of screen on which others project their secret fantasies and longings.

You need to believe in something, and to believe in it strongly enough for it to animate all your gestures and make your eyes light up. Charismatics display a need for love and affection. Charismatics are unconventional. If any physical attribute is crucial in seduction, it is the eyes. They reveal excitement, tension, detachment, without a word being spoken. People do not want to hear that your power comes from years of effort or discipline. They prefer to think that it comes from your personality, your character, something you were born with.

Stars are ethereal and envelop themselves in mystery. People are hopelessly susceptible to myth, so make yourself the hero of a great drama.

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And keep your distance— let people identify with you without being able to touch you. They can only watch and dream. Second, cultivate a blank, mysterious face, the center that radiates Starness. The Anti-Seducer: those who repel Anti-Seducers come in many shapes and kinds, but almost all of them share a single attribute, the source of their repellence: insecurity. It is critical to recognize anti-seductive qualities not only in others but also in ourselves.

The Brute: Who has no patience, who wants to skip the seduction, who offends with egotism. The Suffocator: Those who cling incessantly to you, love you before you know who they are, or who make themselves a doormat to you in their obsession. The Moralizer: Who wants you to bend to their standard. The Tightwad: Cheapness displays more insecurity beyond money. The Bumbler: The awkward speaker, who makes others feel awkward too.

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The Reactor: Who is terrified to have their ego damaged. The Vulgarian: Who ignores the rules of the game, presents a garrish image, does not play the game and yet expects to win. It is rather because wordless communication through clothes, gestures, actions is the most pleasurable, exciting, and seductive form of language.

The 18 Types of Seducer Victims Never try to seduce your own type. The Reformed Rake or Siren: They desperately long to escape whatever corralled them in, what is preventing them from being their normal freely sexual self. The Disappointed Dreamer: They long for adventure, but are stuck in a boring lifestyle.

A Naughty Tale of Seduction

The Pampered Royal: The long to be swept off their feet by a prince charming and let them live out their fantasy of being pampered and treated like royalty. The New Prude: excessively concerned with their outward appearance, underneath they want to release, but they fear judgement. The Exotic Fetishist: They want novelty, new experiences, things on the edge, you must position yourself as something exotic. The Professor: They analyze and think deeply about everything, but long to be overwhelmed by a more free spirit who can help them release their mental barrier.

The Beauty: Used to being appreciated, you must focus on the less complimented features like her intellect or wit. The Aging Baby: Still immature and wanting a supportive parent, you must enable their childish desires while still occasionally reeling them in. Let her be your maternal protector. The Idol Worshipper: You must become their object of worship that provides the meaning in life that they seek.

The Sensualist: Driven by their senses, you must overwhelm their site, smell, and touch, to fully draw them in. The Lonely Leader: Act as their equal or superior, the kind of relationship they rarely have. The Floating Gender: Float with them. Seduction Phase 1: Separation, Stiring Interest and Desire Choosing the right victim The right victims are those for whom you can fill a void, who see in you something exotic. To leave people who are inaccessible to you alone is a wise path; you cannot seduce everyone.

Never rush into the waiting arms of the first person who seems to like you.

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That is not seduction but insecurity. People who are outwardly distant or shy are often better targets than extroverts. They are dying to be drawn out, and still waters run deep.

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On the other hand, you should generally avoid people who are preoccupied with business or work— seduction demands attention, and busy people have too little space in their minds for you to occupy. Creating a False Sense of Security, Approach Indirectly Once you have chosen the right victim, you must get his or her attention and stir desire.

enter site To move from friendship to love can win success without calling attention to itself as a maneuver. First, your friendly conversations with your targets will bring you valuable information about their characters, their tastes, their weaknesses, the childhood yearnings that govern their adult behavior. Second, by spending time with your targets you can make them comfortable with you. Then, surprise their expectations with an errant touch or suggestion, make them now interested. There is nothing more effective in seduction than making the seduced think that they are the ones doing the seducing.

The first move to master is simple: once you have chosen the right person, you must make the target come to you. Too much attention early on will actually just suggest insecurity, and raise doubts as to your motives. Worst of all, it gives your targets no room for imagination. Take a step back; let the thoughts you are provoking come to them as if they were their own.

In all arenas of life, you should never give the impression that you are angling for something— that will raise a resistance that you will never lower. Learn to approach people from the side. Send Mixed Signals What is obvious and striking may attract their attention at first, but that attention is often short-lived; in the long run, ambiguity is much more potent. Most of us are much too obvious —instead, be hard to figure out.

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To deepen their interest, you must hint at a complexity that cannot be grasped in a week or two. If you have a sweet face and an innocent air, let out hints of something dark, even vaguely cruel in your character. Why is he alone, why is he avoided? There has to be a reason. According to Stendhal, if there is a woman you are interested in, pay attention to her sister.